STATION II: SHANGHAI, CHINA
“This exhibition explains the importance of re-acknowledging and re-evaluating this hot spot of contemporary art. From the very beginning, contemporary Chinese photography has been closely related to the daily lives of Chinese people. The quickly growing and changing social environment has focused on the created objects of the artists. From these vivid and graphical works, we can witness the exciting poles of this age, experience the active interaction between art and society, and understand the new and unique exploration of these pioneers. Shanghai has always been the essential window to contemporary Western cultural patterns.
From oil painting to photography, from industrial design to video art, Shanghai plays a critical role during this process of communication and incorporation. Therefore, the opening of Zooming into Focus, a preliminary review of Chinese contemporary photography and video, is not only an occasion of chance but a necessary consequence of history. The importance of the exhibition is in no doubt: it showed some truth of Chinese contemporary art to the public and to the cultural circle, and it prodded the Chinese art museum circle to start collecting contemporary video and photography works.” -Li Xu, Curator, Shanghai Art Museum
“Different from traditional art, such as painting and sculpture, photography includes video, together with film and animation. Focusing on photography, this exhibition introduces the history of recent contemporary Chinese art….Furthermore, this collection can be regarded as an objective review on the current situation of Chinese photography. The Shanghai Art Museum is dedicated to the promotion and development of contemporary Chinese art. This exhibition is the first time contemporary photography and Chinese artists are introduced to the public.” -Li Xiangyang, Executive Director, Shanghai Art Museum
Exhibition
[slidepress gallery='rooftop-video']
February 18 – March 30, 2004, Shanghai Art Museum
Organized by Li Xu, Laura Zhou, and Eloisa Haudenschild.
Roof Top Performance by Song Tao
February 18, 2004, Shanghai Art Museum
Following the opening of the exhibition Song Tao with other contemporary Chinese artists, presented a multimedia sound and video performance on the roof of the Shanghai Art Museum.
Symposium
Envisioning the Future of Contemporary Art From Different Glocal Positions
March 25 & 26, 2004 – China Art Academy, Hangzhou
Organized by Zhang Peili (Artist and Director of New Media dept., China Art Academy, Hangzhou), Laura Zhou (Director of ShanghART, Shanghai, China) and Eloisa Haudenschild. All participants toured Zooming into Focus at the Shanghai Art Museum and were then transported via bus to Hangzhou.
Moderated by Hou Hanru (Director of Exhibitions and Public Programs, SFAI and Independent Curator) and Pi Li (Independent Curator and Founder, Universal Studio, Beijing) with works shown by Bill Voila (courtesy of Britta Erickson; presented by Eloisa Haudenschild), Wang Gongxin, Qiu Zhijie, Zhang Peili, and Yang Fudong.
Presenters included:
- Fan Di’an (Director, National Art Museum of China) Meeting and Traffic
- Hans Ulrich Obrist (Curator, Paris) The Museum of the Future – Art, Architecture, Science and Technology
- Mami Kataoka (Senior Curator, Mori Art Museum, Tokyo & International Associate Curator, Hayward Gallery, London) New Media as New Experience
- Li Xu (Curator, China) The Relationships Between New Media Art and Museum Systems in China
- Huang Du (Ph.D., China) New Events and Culture Space
- Zhang Zhiyang (Professor, China) Where is the Space for Art in the Era of Technological Globalization?
- Rudolf Stoert (Curator, Germany) Switch Media Project in Thailand
- Gridthiya Gaweewong (Curator, Thailand) Regional Strategies and Global Impacts: A Southeast Asian Perspective
- Hu Fang (Writer, China) Pseudo-Machine of Writing
- Evelyn Jouanno (Curator, France) Under the Earth, There is the Sky
- Martina Koppel-Yang (Art Critic, Germany) The Pingpang Policy of Chinese Contemporary Art
- Zheng Shengtain (Curator & Managing Editor, Yishu Journal, Canada) Non-Local and Non-Mainstream
- Karen Smith (Art Historian, UK) The Future: In Whose Hands?
- Waling Boers (Curator and Founding Director of Buro Friedrich-Berlin and Universal Studios-Beijing) Art Between the State and the Market, A Challenge?
