September 17 – November 21, 2010

REDCAT, Los Angeles

Video installation and exhibition

STATION II: SHANGHAI, CHINA

“This exhibition explains the importance of re-acknowledging and re-evaluating this hot spot of contemporary art. From the very beginning, contemporary Chinese photography has been closely related to the daily lives of Chinese people. The quickly growing and changing social environment has focused on the created objects of the artists. From these vivid and graphical works, we can witness the exciting poles of this age, experience the active interaction between art and society, and understand the new and unique exploration of these pioneers. Shanghai has always been the essential window to contemporary Western cultural patterns.

From oil painting to photography, from industrial design to video art, Shanghai plays a critical role during this process of communication and incorporation. Therefore, the opening of Zooming into Focus, a preliminary review of Chinese contemporary photography and video, is not only an occasion of chance but a necessary consequence of history. The importance of the exhibition is in no doubt: it showed some truth of Chinese contemporary art to the public and to the cultural circle, and it prodded the Chinese art museum circle to start collecting contemporary video and photography works.” -Li Xu, Curator, Shanghai Art Museum

“Different from traditional art, such as painting and sculpture, photography includes video, together with film and animation. Focusing on photography, this exhibition introduces the history of recent contemporary Chinese art….Furthermore, this collection can be regarded as an objective review on the current situation of Chinese photography. The Shanghai Art Museum is dedicated to the promotion and development of contemporary Chinese art. This exhibition is the first time contemporary photography and Chinese artists are introduced to the public.” -Li Xiangyang, Executive Director, Shanghai Art Museum

Exhibition

[slidepress gallery='rooftop-video']

February 18 – March 30, 2004, Shanghai Art Museum

Organized by Li Xu, Laura Zhou, and Eloisa Haudenschild.

Roof Top Performance by Song Tao
February 18, 2004, Shanghai Art Museum

Following the opening of the exhibition Song Tao with other contemporary Chinese artists, presented a multimedia sound and video performance on the roof of the Shanghai Art Museum.

Symposium
Envisioning the Future of Contemporary Art From Different Glocal Positions

March 25 & 26, 2004 – China Art Academy, Hangzhou
Organized by Zhang Peili (Artist and Director of New Media dept., China Art Academy, Hangzhou), Laura Zhou (Director of ShanghART, Shanghai, China) and Eloisa Haudenschild. All participants toured Zooming into Focus at the Shanghai Art Museum and were then transported via bus to Hangzhou.

Moderated by Hou Hanru (Director of Exhibitions and Public Programs, SFAI and Independent Curator) and Pi Li (Independent Curator and Founder, Universal Studio, Beijing) with works shown by Bill Voila (courtesy of Britta Erickson; presented by Eloisa Haudenschild), Wang Gongxin, Qiu Zhijie, Zhang Peili, and Yang Fudong.

Presenters included:
- Fan Di’an (Director, National Art Museum of China) Meeting and Traffic
- Hans Ulrich Obrist (Curator, Paris) The Museum of the Future – Art, Architecture, Science and Technology
- Mami Kataoka (Senior Curator, Mori Art Museum, Tokyo & International Associate Curator, Hayward Gallery, London) New Media as New Experience
- Li Xu (Curator, China) The Relationships Between New Media Art and Museum Systems in China
- Huang Du (Ph.D., China) New Events and Culture Space
- Zhang Zhiyang (Professor, China) Where is the Space for Art in the Era of Technological Globalization?
- Rudolf Stoert (Curator, Germany) Switch Media Project in Thailand
- Gridthiya Gaweewong (Curator, Thailand) Regional Strategies and Global Impacts: A Southeast Asian Perspective
- Hu Fang (Writer, China) Pseudo-Machine of Writing
- Evelyn Jouanno (Curator, France) Under the Earth, There is the Sky
- Martina Koppel-Yang (Art Critic, Germany) The Pingpang Policy of Chinese Contemporary Art
- Zheng Shengtain (Curator & Managing Editor, Yishu Journal, Canada) Non-Local and Non-Mainstream
- Karen Smith (Art Historian, UK) The Future: In Whose Hands?
- Waling Boers (Curator and Founding Director of Buro Friedrich-Berlin and Universal Studios-Beijing) Art Between the State and the Market, A Challenge?

March 25 – 26, 2004

China Art Academy, Hangzhou, China

Envisioning the Future of Contemporary Art From Different Glocal Positions

Marking many important milestones, Zooming into Focus: Chinese Contemporary Photography and Video from the Haudenschild Collection (2003 – 2005) was the first exhibition of its kind in San Diego and Singapore and the first contemporary Chinese photography exhibition at the Centro Cultural Tijuana, Mexico. It was the first time the Shanghai Art Museum exhibited works on contemporary Chinese video and photography from a private collection and most importantly, it was the first retrospective exhibition of Chinese photography and video ever held at the National Art Museum of China, Beijing.

Zooming into Focus investigated the effects of accelerated change in China through the work of the country’s most talented emerging artists. The swift transformation of Chinese culture is reflected in the work of each of these represented artists who comment on contemporary Chinese urban life with intelligence, wit, foreboding and nostalgia.

The works of Cao Fei, Chen Shaoxiong, Feng Mengbo, Geng Jianyi, Hong Hao, Hu Jieming, Kan Xuan, Lui Wei, Lu Chunsheng, Shi Yong, Song Tao, Tang Maohong, Wang Youshen, Weng Fen, Xiang Liqing, Xu Zhen, Yang Fudong, Yang Yong, Yang Zhenzhong, Zhao Bandi, Zheng Gougu and Zhu Jia were included in this exhibitions. Other artists in the collection include Gu Dexin, Hai Bo, Wang Jin, Zhou Tiehai, Yu Youhan, and Zhao Nengzhi.

Lorenz Helbling and Laura Zhou supported all exhibitions and organized the Hangzhou symposium at the China Art Academy. Shi Yong was responsible for designing the Zooming into Focus catalog and the installation design of Zooming into Focus at the National Art Museum of China, Beijing.

In addition to the traveling exhibitions, two symposia were held: An International Discourse on New Chinese Video and Photography at the San Diego Museum of Art and Envisioning the Future of Contemporary Art from Different Glocal Positions at the China National Academy of Art in Hangzhou, China. Participants included Xu Bing, Waling Boers, Fan Di’an, Huang Du, Britta Erickson, Hu Fang, Yang Fudong, Gridthiya Gaweewong, Wang Gogxin, Hou Hanru, Betti-Sue Hertz, Xu Jiang, Evelyne Jouanno, Mami Kataoka, Martina Koppel-Yang, Pi Li, Barbara London, Zhang Peili, Christopher Phillips, Zheng Shengtain, Karen Smith, Rudolf Stoert, Hans Ulrich Obrist, Li Xianyang, Li Xu, Mo Zhelan, and Qiu Zhijie.

The haudenschildGarage launched their residency program in 2003 which invited Chinese artists and curators for the first time to the United States. Shi Yong and Yang Zhenzhong were the first artists in residence and Hou Hanru, Cao Fei, Yong Fudong, Laura Zhou, Lorenz Helbling, Evelyn Jouanno, and Victoria Lu were also invited to the Garage. Both Shi Yong and Yang Zhenzhong produced new works commissioned by the haudenschildGarage while in residence.

Delivered at the Zooming into Focus symposium “Envisioning the Future of Contemporary Art from Different Glocal Positions”, China Art Academy, Hangzhou, China, March 2004
It was in 1988 when Zhang Peili realized his 30 X 30, one of the first examples of Chinese video art. 30 X 30, a two hour sequence showing the artist breaking [...]

Shanghai Daily, February 2004
Antique furniture and ceramics are usually favorites for Western collectors. But Eloisa Haduenschild, an American collector, will surprise local art lovers with a quite different collection in the exhibition Zooming into Focus: Contemporary Chinese Photography and Video.
The show, which opened on Thursday at the Shanghai Art Museum features nearly 50 photos, 10 [...]