hG, Spare Parts is a 3-year cycle of projects commissioned and produced by Director Eloisa Haudenschild and Commissioning Editor Steve Fagin from 2006 – 2009 that encouraged the juxtaposition of the crucial, the trivial, and the arcane. Projects included Decolonizing Architecture, A Crime Has Many Stories, and The Last Book.
The Last Book
Rita Gonzalez, Assistant Curator at LACMA writes on The Last Book
April 24, 2009, published on the LACMA Blog about the hG, Spare Parts project The Last Book
I find myself thinking of artist Steve Fagin’s amalgam of criticism, fiction, visual arts, and numerous other disciplines as a productive model for a contemporary art curator working within an encyclopedic museum. I’ve been in discussion with Fagin ever [...]
hG text by Kimberli Meyer, MAK Center Director, on The Last Book
“…Reading aloud to a group of people is an intimate act, which is why readings are among my favorite activities at the Schindler House. The landmark modernist House & Studio (1921-22) was designed for precisely such kinds of events and has…”
hG text by Mian Mian on her Last Book Performance
“…When I first read about the idea of Last Book project and the project invited me to be the reader…I was doing a concert at a place UFOs had once appeared…the light was too bright so I had to wear sunglasses all the time…I liked the…”
Spare Parts: The Last Book
The haudenschildGarage, Spare Parts produced an homage to “the book” in the age of the conquest of the Kindle. Steve Fagin resuscitated the magnificence of the illuminated manuscript as the world turned toward darkness. To this end a one of a kind book was constructed including text, drawings, moving images and sounds. The Last Book was performed at the Schindler House in 2009.
hG text by Bill Horrigan, Media Director of the Wexner Center, on The Last Book
“…Cross-fade twenty years forward, to West Hollywood, late in the afternoon on the last Sunday in April, and a crowd has gathered on the carpet-sized lawn of the MAK Center. The gathering was on the occasion of the premiere performance…”
